Against type Theater Company

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Greenway Arts Theatre

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Towne Street Theatre

 

 

 
For the Love of Freedom:  Toussaint (The Soul), Rise and Revolution

The Birth of: FOR THE LOVE OF FREEDOM by Levy Lee Simon

For the Love of FreedomIn the early eighties while still an undergraduate at Cheyney State College in Pennsylvania, my girlfriend at the time brought tickets for us to see “For Colored Girls Who Have Considered Suicide When the Rainbow is Enuf” on Broadway.  I was just becoming interested in the theatre and the ticket was a birthday gift; and what a gift!  In the play, the Lady in Red performed a piece about Toussaint Louverture. There I was an African American college student and I didn’t know anything about Toussaint Louverture!  I realized that African history in the world was hidden from us and I began to understand the reasons why.  I promised myself from that point on to be responsible for my own education when it came to my history.  As the years passed, I learned a lot more, not only about Toussaint, but Jean Jacques Dessalines, Henri’ Christophe, the entire Haitian Revolution and independence. It was empowering and liberating because these were not happy go lucky Negroes singing and dancing in the cotton fields as is so stereotypically depicted. These men not only liberated themselves, but an entire country from bondage, while under the rule of the greatest military genius of the time, Napoleon Bonaparte.  And then established Haiti a world power. Since that time there has not been one Black ruled world power.   In my mind, this made Toussaint and the others the ‘baddest dudes’ that ever walked the face of the earth. And, if Napoleon is recognized as one of the greatest figures in world history then, why shouldn’t the greatness of Toussaint Louverture be recognized as well? 

After many years of acting on the professional stage, reading plays and scripts of various genres, styles, historical movements etc., I realized how consistently the many stories of the African continuum were not told. And that in denying these stories, part of the essence and the spirit of African people was missing. That missing link holds elements of the truth that are not only liberating to people of African descent, but to all people. To understand the nature of cruelty, human suffering, and struggle is one aspect, but to understand the fight, the triumphs and glory that has been denied us is another. Respect to that fire which lies in the hearts of humanitarians is a human responsibility that crosses all lines of race and, can liberate us from prejudices and hatreds because it destroys lies and dismisses stereotypes giving us a clearer perspective of the world, the way it was and the way it is now.  Therein lies the birth of FOR THE LOVE OF FREEDOM.

Levy Lee Simon  

Lee is a graduate of the University of Iowa Playwright Workshop, spring 1999. For the Love of Freedom was birthed as his graduate thesis project. His play The Bow-Wow Club was the 1998/9 winner of the Lorraine Hansberry Award presented by the Kennedy Center for Best-Full Length play.

The Bow-Wow Club was recently purchased by FOX Searchlight and Forrest Whitaker’s Spirit Dance Production Company. Levy Lee is the author of God the Crackhouse and the Devil co-produced by the 42nd Street Workshop and Circle East in NY, 2000.

His latest work entitled Utopia: a poetic/rap odyssey with music will be produced in NY in the fall of 2001. Other works include: The Junction Limited Midnight Express, Pitbulls and Daffodils, Fireflies On Fluorescent Sand, In the Middle of the Bubbling Tar, and Caseload. Lee is overly pleased that the Robey Theatre and Greenway Arts Alliance are producing his trilogy, For the Love of Freedom. For Lee this particular work was a labor of love, he thought would never be produced because of its size and magnitude. Many, many thanks to the producers, cast, designers and production team for making it possible.

As an actor Lee has appeared on Broadway, Off Broadway, Regional Theatres around the country and in England. His more memorable achievements include The Kentucky Cycle, (Broadway) Miss Evers’ Boys, (England)”, Vivisection From the Brown Mind. (Arena Stage), The Island, (NC Black Theatre Festival)”, Before It Hit Home (Arena Stage), Ma Rainey’s Black Bottom, (Iowa Summer Rep), A Mid Summer Night’s Dream, U of I. A Fool For Love ( The Riverside Theatre) and Ceremonies In Dark Old Men (NEC).

Ben Guillory

DIRECTOR’S NOTES

“Liberte’, Fraternite’, Egalite’” were the watch words of the French Revolution and detonators of the Haitian Revolution over 200 years ago and much of the world still, on some level, fight for those ideals. The inspiration for the Robey Theatre Company, Paul Robeson, stood and fought for these concepts. Those artists who feel responsibility to our communities stand and find our way into the breach, receiving our fair share of abuse and accolades in the struggle to deliver. Still, the majority of us take the idea of freedom for granted. Life is good when our health and loved ones thrive.

Liberty is a luxury to be cherished, protected and never taken lightly. Without it, all are diminished and reduced to an atavistic posture that becomes unendurable. Once liberty is denied, the oppressed succumb and die, or make the supreme effort to break free.

FOR THE LOVE OF FREEDOM speaks to a period when freedom and equality were not only denied a people, but also their identity was violently stripped away. TOUSSAINT is the story of fierce resistance by slaves fueled by fear, desperation, a sense of nothing left to lose, hope, and love; the absolute refusal, once freedom won, to ever be enslaved again; and, finally, the price paid for freedom.

The Greenway Arts Alliance and the Robey Theatre Company come together as colleagues in the spirit of Fraternite’ to bring this important work to our audiences. Thank you for joining us.

Producing Artistic Director

Ben Guillory

Liberte’ ou la mort!

Liberty or Death!

 

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